Others of the type are the Japanese shamisen and the Persian tar, to name but two examples. They use either two tenors for tuning: the same as a mandola and viola or an Irish tenor similar to the mandolin and violin. Entdecken Sie African Banjo von Peter Rowan bei Amazon Music. The akonting is played by anyone who wishes among the Jola people. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. However, the banjo is actually a descendant of African musical instruments, and was created in the American and Caribbean colonies by African slaves and occupied a central place in African American traditional music. My mission is to restore African tradition music, history, compose the music, and share the music with all ages from: preschools, elementary schools, Boys and Girls Clubs, public library, YMCA/YWCA clubs, Senior centers, colleges, and universities world wide. Before even coming to Appalachia, in fact, the banjo was found in the Caribbean. https://usslave.blogspot.com/2011/06/banjo-african-american-music.html Young African American … Along with their efforts to help African Americans reclaim the right to the narrative, the Black Banjo Reclamation Project also gives people the opportunity to return to the music itself, to explore their own spirituality and artistic voices, and to learn how to play through online lessons. Many of their activities, from work to worship, were steeped in song. The oldest known painting showing the instrument is called The Old Plantation and is believed to be from somewhere around 1785–1795. The story of the banjo goes back centuries, to West Africa, where folk lute instruments like the Senegambian akonting have long been in use. He is known as "The American Songster" as his repertoire of music spans nearly a century of American folklore, ballads, and tunes. The mid-19th-century minstrel banjo is one of the first manifestations of the meeting of these musical worlds. Here, they maintained and perpetuated the tradition within a complex system of slave-labor camps, plantations, and in a variety of rural and urban settings. Jatta started down this line of inquiry in 1974, when he went to junior college in South Carolina. Its influence comes from BANTU ethnic group which consists more than 68% ( percent) of the African Continent population. it is middle eastern as archaeologists have found examples of primitive banjos in from ancient egypt. But taking it as a given that the banjo is an African instrument, this still in itself doesn’t make country music, bluegrass, or American folk distinctly a mode of expression either exclusively or primarily influenced by African Americans. in asian cultures such as china and japan they have their own versions which couldve come from the middle east. In Chorgesänge und gleichzeitig dazugehörenden Tänze haben Zulu, Xhosa und Sotho ihre musikalische Heimat, die stets mit dem Gefühl der Zusammengehörigkeit und eigenen Identität einhergehen. One side plays the banjo, one plays the akonting, but the heart of it all is the same. He documents its journey from 17th- and 18th-century plantations to 19th-century minstrel shows to the bluegrass of Appalachia to the folk revival of the mid-20th century. He documents its journey from 17th- and 18th-century plantations to 19th-century minstrel shows to the bluegrass of Appalachia to the folk revival of the mid-20th century. 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