and introduced the new QSC E Series of Passive Loudspeakers during NAMM 2016. Like K Series, each of the four KW Series models features a QSC designed, 1000 watt (2 x 500 W continuous) Class D power module. QSC 2x K12.2 K.2 Series 12in 2-Way 2000 Watt Powered Speaker - with 2x 20' 8mm XLR Mic Cable, 2x QSC Nylon/Cordura Soft Padded Tote Bag, Ultimate JamStands JS-TS50 Tripod-Style Speaker Stand, Pair 4.8 out of 5 stars 6 The Loudspeaker Monitor component provides the means to get a signal from the loudspeaker to an output suitable for monitoring, i.e., your booth monitor. I just spoke with a QSC Rep in my area. They are not 'cut down' K Series speakers, but a completely new and different product with their own technology. For a better experience, please enable JavaScript in your browser before proceeding. I also used the CP12s as floor monitors on a larger outdoor stage, and they delivered the goods very well indeed. We put them to the test! I've gone through a lot of powered subs in my days and there are always trade offs. The HPR series is no longer in production. The Dance contour extends the LF output somewhat and would be perfectly adequate in a smaller space; however, everything about this speaker was telling me to try it as a live monitor, so that's what I did a few days later. ...The HPR181i single 18" subwoofer offers truly impressive low frequency extension and output. The preset names describe what they do, but there is some interaction between the contour and mic boost settings, in that if the system contour is set to Dance or 'Dance with sub' and the input B mic boost is switched in, input B automatically changes to the Speech contour in addition to adding 25dB of input gain. The E Series is a range of passive loudspeakers offering robust construction, trusted reliability and overall sonic performance beyond expectations. But at QSC, we have always recommended parallel wiring for all surround speakers when multiple speakers are combined on an amp channel. This is equally true for CP series. The extra mic gain is applied by a single press of the Boost button, which toggles between mic and line settings and has an associated LED to indicate the current status. The HPR series is no longer in production. Both units have a very forward and crisp top end, with plenty in the mid‑range to support this. In s/w the QSC rep at the A.C. DJ Expo, he told me that the major advantage of the KW over the HPR was a much lighter birchwood as well as more current (and better) technology. In fact, this catalog also includes the K Series M10 Mounting Eyebolt kit that's made specifically for suspending K8, 10, and 12 active loudspeakers. Which do you feel is a better system? The CP Series benefit from excellent quality build, are ergonomically very good and practical as portable powered speakers, and both models have ample power and make truly excellent monitors. QSC Online Spare Parts store offers Amplifiers parts, Loudspeakers parts, Mixers parts, Digital Products parts, Accessories, connectors, Capacitor & more. http://www.qscaudio.com/products/speakers/kw_series/. Double the power. The views expressed are those of the contributors and not necessarily those of the publishers. The QSC K.2 Series™ is quite simply, the next standard in powered loudspeakers. Web site designed & maintained by PB Associates & SOS. Specifically the QSC K12 and the Mackie HD1221. The rep said the only 2 retail outlets ear marked for this early delivery are Daddy's Junky Music & Guitar Center. That said, K and K.2 models a r e capable of p r oducing g r eater acoustic output than comparable CP series models. Re: Reading mic cable specs? Enter the new QSC K.2 models. All rights reserved. This is the same on the both speakers, while the CP12 also has a recessed shape on the side that helps with lifting and positioning on a stand or pole. The HPR subs are very nice but just a little big and heavy - usually good things in a sub. The KW series has replaced it. Actually, that's a very good matchup. I ran the CP speakers again in the studio, and spent my last day before handing them back by throwing all kinds of material at them, at everything up to and including full volume into limiting. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. My first test was to run some known programme music through the CP8 and CP12 in the workshop, and gain some initial impressions of how these boxes sound. However, their range has, until now, lacked what you might call an entry-level product. Don't ever expect a 12" sub to sound the same as an 18" subs. According to my own research, that’s with a value of 2000W peak power, which the original K Series also offered. Previously, QSC quoted the ‘continuous’ power rating of the K Series to be 1000W, with a peak of 2000W. There's no menus or anything like that: the functions are printed on the panel and you just turn the knob to where you want to be. I am going to look into the kw series and see how they compare in sound. A 4" voice-coil driver and a 700 watt power module work to produce 134 dB SPL peak, at 1 meter with frequency response down to 39 Hz. Having spent some time with the CP Series speakers I'd say that QSC have met their objectives very well. Greater low-frequency extension. My 2 big issues with the Mackies though are the weight (50lbs compard to QSC at 41lbs) and the casing is wood. Intended for sound reinforcement in entertainment applications including live performance, DJ and dance music, karaoke and event production, E Series loudspeakers will deliver outstanding results. The recently released CP Series speakers (the CP meaning 'Compact Powered') have now arrived to firmly plug that particular gap. In Q-SYS, each loudspeaker voicing component, contains a Listen button, actually one main and one for each frequency band if it is a 2, 3, or 4-way loudspeaker. The obvious differences between the two are all related to the LF driver size, and include physical dimensions and weight, the overall frequency response and the maximum SPL available. Weight-wise they are 13.7 and 9.5 kg respectively, and consequently easy to handle, if a little heavier than their appearance suggests due to what seems like a very solid build. Anyone buying into the QSC product line with these and making a future step up to the K Series would already own a great set of monitors as part of a scalable branded rig — just don't plan on trading them in at a later date, as you'll want to keep them! I imagine that it would be equally effective as a guitar amp and I'd definitely like to have one in the studio. QSC is probably best known among performers for their various K Series speakers, with the most popular being the K.2 line. There are three inputs available, labelled as A, B and C. Inputs A and B are provided with combi XLR/TRS connectors and input C is a 3.5mm TRS jack socket intended for connection of stereo sources such as media players (these will be summed to mono before being routed to the power amp). To start, each model is equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. That's good to know. The product line established a new standard in the industry with a high output 1,000 watt Class D power module. I know Yorkville is more money but not significantly so I'm more interested in the best sound and performance. Mastering Essentials Part 5 - Compression & Limiting, Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. QSC have been major players in the portable powered speaker world for some time, and their systems have gained a reputation for power, performance and build quality. ISA Series; CMXa Series; Commercial Amplifiers (Dataport) CX Series 2-Ch; CX Series 4-Ch; CX Series 8-Ch; PL3 Series; DSP Amplifiers (USB) CXD Series; GXD Series; DSP Amplifiers (Ethernet) CXD-Q Series; Amplifier Software. Call QSC at 1-800-772-2834 Both have moulded polypropylene cabinets, and both have three inputs on the rear panel and use the same power-amp configuration. The philosophy behind the introduction of the CP Series is all about providing a more affordable entry point into the QSC speaker range, but without simply producing a 'cut‑down' version of an existing design. CP8 $399, CP12 $499. On opening the shipping boxes I liked the appearance and shape of the CP speakers, and I was particularly impressed with the large, strong carry handle on the top of the cabinet. I took the CP speakers out on a couple of live gigs and used them on main and monitor duties. It's worth noting that the current draw of these speakers is under 1A (only 0.31A running on 240V mains at one-eighth power) so you can use quite a few of them on a single domestic circuit. For anyone running a simple dance setup where you have a music source and a mic plugged directly into the CP speakers, using the two inputs gives suitable EQ for both without the need for an external mixer. Pricing for the CP speakers is certainly below that of the established K Series, but these designs are new in almost every way; the cabinet size and shape is very different from the K Series and the processing, amplifiers and drivers are also — as far as I can tell — unique to the CP boxes. Mitch Gallagher presents the QSC K.2 series of powered loudspeakers. QSC gear isn't known for being inexpensive or indeed entry-level, and so the CP speakers have quite a lot to live up to if they are to assume their intended place as part of a popular and well-regarded live‑sound brand. First Look: Pro Tools | Carbon. Our singer also loved the CP8 as a monitor and said it was able to cut through and remain articulate and clear without sounding too loud or harsh on stage. Again, QSC has outdone themselves, this time by introducing a line source version of the K Series, aptly called the KLA Series. The KW series has replaced it. Prices are per speaker. The Mackie intrigues me because I have always been a Mackie guy and they are slightly cheaper than the QSC K series. The CP Series speakers represent QSC's first attempt at an 'entry level' range. The CP12 delivers a big performance for the money, and the CP8 is a very powerful compact unit that could see excellent use as a monitor, instrument reinforcement or small PA. CP8 £395, CP12 £510. DMT™ (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. I did take a quick look inside, by removing the pole sockets on the bottom of each speaker, and the integral cabinet bracing is evident, along with some neatly fitted acoustic wadding, substantial driver magnets and some very neat cabling. QSC and Sennheiser: “Just Follow Me” Webinar This exciting, joint webinar between QSC and Sennheiser will show you how to use the Sennheiser TeamConnect Ceiling 2 microphone and Q-SYS Control to recall camera position presets based on the location of the speaker in the room. I would be quite shocked if it compares to the HPR sub in reality...I hope so! Print Thread: Page 2 of 4 : 1: 2: 3: 4: Re: QSC K-Series vs. EV's I was told I could expect the KW-181's to start "trickling" into just 2 retail stores right around Columbus Day Weekend. Let me be perfectly clear about the term, “Line Array.” It is an array, or compliment of speakers, that when arrayed in a perfectly straight line, function as one speaker and offer a reasonably coherent wave front. For my final test I just had to try the little CP8 with a sub, and was more than impressed with what it achieved — way more than I had expected. Amplifier Navigator; CXD Speaker Profiles Library; Amplifier Accessories. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The black metal grilles cover and protect the full face of the cabinets, and the moulded housing itself feels strong and doesn't have a tinny ring if you tap it. The CP8 delivered a strong mid‑range, and I rolled off the top end to achieve a more mellow balance with my test tracks, then put it back in again with a live singer/guitarist who happened to be in the studio. They quote the “K.2 amp has over twice the Peak power” compared to the current K Series. Page 14: Subwoofer Polarity Subwoofer Polarity Polarity (sometimes improperly referred to as phase) refers to the voltage of an input signal and whether it is a positive or negative voltage at any given time. You may login with either your assigned username or your e-mail address. You are using an out of date browser. The K.2 series includes the K12.2, K10.2, and K8.2 full-range 2-way powered speakers. All I can say is that the system performed admirably in a hall of about 180 people, and we had no trouble at all in maintaining vocal clarity no matter what the overall level. Some installers use Series-Parallel wiring schemes to conserve amp channels and raise load impedance on inferior amps. QSC also offers the KS112, KS118, and KS212C powered subwoofers. Any recommendations for ed... Reading mic cable specs? There is no way in hell that a K-sub will produce like an HPR-18 period. Used on their own, the CP12 units made a very impressive vocal/piano/brass PA, and I used the CP8 as a floor monitor for the main vocalist. You can find slightly lighter speakers on the market, but these CP models have a substantial feel about them and are very stable when used as floor monitors due to good weight distribution, good cab angles and excellent rubber feet that give a good grip on shiny floors. These are not by any means 'cheap' speakers, and although they are certainly more affordable than the K Series, they are by no means significantly inferior for general live use provided the venue size is appropriate. What is a "hybrid" audio interface anyway? OK Bob, your words have worked their way into my subconscious. We put them to the test! When any of the big-name manufacturers tag a new product as 'entry-level' my first questions are always, "Does it perform like you'd expect from (insert manufacturer name) at this price?" The rear control panel contains all the CP's I/O connections and controls, and is nicely recessed and protected by the contours of the enclosure. Starting Out. It's not that easy to compare these to other brands, as their performance and price overlaps larger and smaller format products, so you'd have to include 8-, 10- and 12‑inch models to look at similar performance. The CP Series speakers represent QSC's first attempt at an 'entry level' range. Manuals and User Guides for QSC K series. However, other powered speakers in this price range (not an exhaustive list) include the E‑V ELX200 series, HK Audio Premium Pro range, the FBT EVO 2 Maxx, Yamaha DXR/DBR speakers and the RCF Art 700 series. I've also used a slew of passive subs with both QSC and Crown amps. and "Does it fly the company flag in terms of performance expectations and build quality?" The laws of physics are against you! Higher SPL. Used in this way, the powerful top end of the CP boxes really comes into its own, and I was disappointed not to have had an opportunity to use this setup live. It may not display this or other websites correctly. And continuing in the K Series tradition, every model is fitted with the identical high-output 1.75-inch HF device (full-range models) and woofers of the same high quality design, regardless of speaker size. I'm looking for a system that will give them the most flexible sound choices for various venues. Singer-songwriter Raquel Lily is using the QSC TouchMix digital and QSC K.2 Series powered loudspeakers for a wide variety of her performance needs including live streaming on her Twitch.tv channel, as well as her solo and band performances at local venues and events. My search has not been working so i don't know if this was asked. SPA Series; Commercial Amplifiers. I would like to know you guy's opinions on the Yorkville Unity series vs. the QSC K series. My obsessive side also likes the way the mechanical detents (steps) line up exactly with the printed scale markings right around the dial. There are, at present, only two models in the CP series: the CP8 and CP12. QSC set new standards in lightweight powered loudspeaker systems with the launch of the K Series in 2007. This one would be excellent for any DJ job, and my next-unit-but-one neighbours told me that they went home with 'Good Times' stuck firmly in their heads... Whilst messing about with EQ and boost combinations I noticed that toggling the mic boost on channel B muted the whole system for a (very short) time, even if there was material playing through channel A only. Mackie is even claiming they had help from EAW and Martin Audio. Two input level knobs control the three channels; the channel A control also trims input C so if both are used together, some external control may be required to balance between them; input B has its own level control and also has an optional mic boost, which increases the input gain by 25dB on channel B only. QSC Expands Surface-Mount Options for AcousticDesign Series Loudspeakers Press Release Dec 3, 2020. The CP Series speakers incorporate various EQ contour presets to cover different live applications, and a simple rotary selector switch changes to the desired curve. The preset contours are Default, Dance, Floor Monitor and Speech, and the default and dance positions also have a 'with sub' option, making a total of six. Then I tried the CP8 out as a keyboard amp/monitor in a pit band, and finally used it as stage reinforcement for piano in an orchestral concert, where it was ideal: physically unobtrusive, lots of clean middle dynamics (in other words it didn't make the real piano sound like an electric one), and very clean, tight bass with no hint of flabbiness or hype in the bottom end. The QSC K-series of powered speakers has become an industry-standard for many a bands, clubs and churches. Both the CP8 and the CP12 share the same amp module, which contains a very efficient Class‑D amplifier, peak-rated at 800W for the LF and 200W for the 1.4‑inch HF compression driver. by Mike Sessler, ChurchTechArts.org Our setup for speaker testing. The first words to enter my head were 'unexpectedly' and 'loud', as these small boxes really do deliver a lot more output than you might expect from either their size or their published 124/126 dB SPL figures. Prices are per speaker, including VAT. QSC have been major players in the portable powered speaker world for some time, and their systems have gained a reputation for power, performance and build quality. In s/w the QSC rep at the A.C. DJ Expo, he told me that the major advantage of the KW over the HPR was a much lighter birchwood as well as more current (and better) technology. I know of at least two local DJs who would make good use of this function! We have 2 QSC K series manuals available for free PDF download: User Manual, Specification . Interestingly, the dividing wall between the speaker cab volume and the amp module is not simply part of the plastic enclosure but a neat punched‑metal panel, which I assume is to provide additional cooling — these units are convention-cooled and don't need a fan. JavaScript is disabled. Both models are genuinely compact for their driver size and are squarer in appearance than the taller K Series; the CP12 measures a bit over 13 inches wide and 20 inches high, and the diminutive CP8 stands a shade over 16 inches. As the EQ changes the system is temporarily muted, and there are no clicks or spikes as the selector is rotated to different settings. QSC have a reputation for producing quiet active speakers, and there was very little (as in ear-to-the-grille virtually inaudible) background noise or hiss from the CP units when idling; power-up and down was an almost silent process with auto-mute on the audio signal, and I like the way the input level controls go all the way down to nothing. Even a single CP8, perhaps with a mini-sub (the nearest QSC product would be the KS112) would easily provide the levels needed for more modest venues such as lounges and bars. They punch well above their size, you might say. QSC maintains very high standa r ds for audio performance for all loudspeakers. Win! I had the opportunity to put the new K.2’s through their paces at series of gigs ranging from simple vocal accompaniment to outdoor concerts and festival stages. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The CP12 had a much bigger, fuller bottom end and reproduced thumping, punchy lows and mid‑range. PreSonus StudioLive 32SC Series III Mixing Console. However, there was always a gap in their product lineup—powered speakers that could get musicians, presenters, DJs, and others started in the world of live performance at a reasonable price. I've used the Mackie 1501's, EV SBA-750's and 760's, B52 Act-18's, JBL PRX-518's and currently Dynacord 315's. Dec 3, 2020 Line extension adds 5.25” loudspeaker aligns small form factor with premium performance ideal for foreground & background applications Replacement ear tips for In Ear Headphones, ATEN Hard Hitting Techno Loops (Sample Pack WAV). I was impressed by the way the limiter slipped in smoothly — the sound thickens a bit as you might expect but this is a nice implementation of the technology. QSC has designed exclusive DSP functions that greatly enhance the capabilities and performance of the K Series systems. To be honest i just dont like the look of the k series subs. In order to unleash the maximum available output, I hooked up the CP12s with a pair of subwoofers and used the 'Default with sub' contour. 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